The project arises from a desire to re‑establish a dialogue between two worlds that are often in conflict: the world of nature, ancient and untouched, and that of humanity, shaped by necessity and ingenuity but also weighed down by its massive impact on the environment. Through a series of photographic diptychs, urban scenes and architecture are placed alongside natural landscapes, creating a visual narrative in which the two seemingly opposite images intertwine, merge in a continuous shot, and become a seamless territory.
This visual gesture aims to go beyond mere documentation or protest against environmental issues; rather, it should be seen as an act of reconciliation. Artificial lines and organic forms thus meet in a delicate balance, suggesting a possible harmony—an imagined landscape in which coexistence is not only desirable but necessary.
Each composition presents itself as a symbolic and visual mending. The images here convey an act rich in meaning: humanity, responsible for a profound transformation of the planet, seeks to rediscover its bond with the Earth, acknowledging its beauty and primordial value. The urban landscape is completed by the natural one, like two parts of a whole that can be restored. “LOOK AT ME” is therefore a declaration of intent: a call to explore not only photographically but also ethically the face of our planet. In other words, it is an act of reflection and hope, an invitation to reconsider our place in the world and to imagine a future in which humanity becomes capable of recreating that lost harmony with Mother Earth.
